22 out of 27 people found the following review helpful:
Retro thriller
gerald higgins from Nottingham, England,
11th August, 2004
Based on a 1980 novel by Robert Ludlum ? and a 1988 TV movie of the same name starring Richard Chamberlain ? ?The Bourne Identity? is an espionage thriller and is directed by Doug Liman who also made Swingers and Go. The action begins as an Italian fishing vessel scoops a body out of the ocean. The ship?s doctor nurses the man ? who has two bullet holes in his back and a little laser gizmo embedded in his skin that projects a bank account number ? to health. Unfortunately, the man (Matt Damon) has no memory of who he is or how he got there. He makes his way to Switzerland to check the bank account, where he finds a safe deposit box filled with guns, fake passports and money of different currencies. However, it soon becomes clear that Jason Bourne is a wanted man and a variety of heavies and hit men begin to pursue him across Europe. He is aided in his flight by Franka Potente, while CIA boss Chris Cooper marshals agents Clive Owen and Julia Stiles against him. It?s skilfully directed by Liman throughout, the first third of the movie is tremendously suspenseful as we empathise with Damon?s confusion and disorientation. Moreover though, this is a fresh take on the spy thriller, Bond appears moribund by comparison. The emphasis is on character and atmosphere rather than special effects and gadgets. The cinematography captures perfectly the chill of an alpine winter and the attention to detail is obvious throughout. For example, when Damon and Potente flee Switzerland in her battered Mini Cooper, the interior car scenes show the windows misted up. Damon also only changes his clothes when he logically can, forcing him to parade for nearly half the film in his bullet riddled jersey. It?s essentially a genre movie made by an independent director giving it an offbeat edge. Damon and Potente and not traditional middle class, materialistic, protagonists. Like the characters in Go and Swingers they are slightly marginalized, but also cool and hip. This is reinforced by the iconic nature of the mini cooper and the dance soundtrack. But it also offers more traditional pleasures, such as a thrilling car chase against the traffic in Paris - an obvious nod to Ronin ? or Damon?s mastery of marshal arts. Just like Swingers and Go, this film has been largely overlooked by critics who cannot relate to the characters and general ambience of the movie. Yet, just like Doug Liman?s previous films, word of mouth is excellent and it is genuinely amongst the best films of the year.
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